At Grey Dawn emphasises the sky by placing the horizon low in the frame, creating a sense of space. These two images, perfectly paired, demonstrate contrasting horizon placement. Amongst its pages I found another diptych, one created by the book designer rather than the two entirely separate photographers:
This was a deliberate echo of the painting “Above the Clouds” which appears in the film and provides the thematic backbone.Ī year or two after shooting Clouds, I came across Photograms of the Year: 1949 in a charity shop. And this is an excellent reminder that the horizon does not exist in a vacuum like anything else, it must be judged in the context of the aspect ratio and the other compositional elements of the frame.įor Leon Chambers’ Above the Clouds ( out now on Amazon Prime and other platforms!), I placed the horizon centrally several times: The talented photographer and vlogger Arian Vila, however, describes the merits of a central horizon when composing for a square aspect ratio.
The technique is also at odds with the Rule of Thirds, though as I’ve written before, that’s not a rule I place much stock in. This article by Art Wolfe, for example, argues that it robs the image of dynamism, sending the eye straight to the horizon rather than letting it wander around the frame. In practice, a central horizon is not a popular choice. After all, in our day-to-day life, when we look straight ahead, this is where it appears to be. You would think that the most natural position for the horizon would be in the vertical centre of the frame. In this article I will take a metaphorical ramble through these possibilities, and ponder their effects. In reality there is no right and wrong in composition, only a myriad of possibilities that are all valid and can all make your viewers feel different ways. I wanted to put the horizon nearer the top of the frame than the bottom, and he felt that this was the wrong way around. Overall, HORIZON LINE is the most empty-headed and lackluster film put to screen in recent memory.I once had an argument with a director about the composition of a wide shot.
#HORIZON LINE MOVIE CODE#
The included digital code is only valid for iTunes (Apple TV). Besides a few deleted scenes, there are no special features or commentaries. The musical score sounded like it was a rip-off from every other movie.įor those who need to know, the picture and sound quality on the Blu-ray are exceptional. The cinematography was alright in some scenes and horrible in others. I've seen her in two other films, and she's a godawful actress with no emotional depth. However, I cannot say the same for Williams. So, maybe it was more of the director's fault, or he's just a bad actor. I'm not saying Dreymon is a bad actor because this is the first time I've seen him in anything. Allison Williams and Alexander Dreymon both give wooden performances. It's pretty obvious why these two lovebirds broke up - they have zero chemistry! The characters are one-dimensional at best, with some of the dumbest dialogue ever penned. The first twenty minutes is a snoozefest, where we're introduced to Sara and Jackson and learn about their past relationship. Even though I have never stepped foot on a plane, I know more about flying than them. However, the filmmakers, should've done their research before attempting such a story. Sure, the overall premise of a pilot suddenly dying inflight and leaving the passengers in a desperate attempt to survive sounds intriguing. HORIZON LINE is one of the stupidest movies ever made.
#HORIZON LINE MOVIE MOVIE#
How the hell did this movie get the green-light? Shortly after takeoff, the pilot (played by Keith David) has a fatal heart attack, leaving the former couple alone on a plane with a broken autopilot that's heading into the path of a terrifying storm.
The plot centers on ex-lovers Jackson and Sara (played by Alexander Dreymon and Allison Williams) traveling on a single-engine plane en route to their friend's wedding on a tropical island. The audience score is currently at 25%, with zero written reviews.
As of this writing, there are only three critic reviews on Rotten Tomatoes, and you probably guessed - they're all negative. It went straight to VOD here in the USA on January 12, 2020, with little to zero buzz. STXfilms released the movie to theaters in Sweden in November 2020. If you have never heard of it before, well, the good news is that you're not the only one, as neither had I until recently. Now available on Blu-ray is the low-budget thriller HORIZON LINE (PG-13 92 minutes) from Universal Pictures Home Entertainment.
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